《負育群帶聚落》主視覺概念 Main Design Concept for Collecting Negative Space Village Project
空間，是集合動詞，是各種感、知、觸、聲等元素與紋路的動態交織。恰如我們所見、所生活其中的臺北城市，便是這樣一種動作中的群聚主體，它的每個一舉一動，都是面對環境變遷而此消彼長的回應。
這個集合動詞，於是轉成了這塊「拼裝」而成、怪異的立方形，並以此詮釋著作為集合動詞的「空間／城市」的存留的形式。四種顏色紅、黃、綠、灰分別對應著建築、方法、採集與維度的觀念；這些色塊的組裝，則呈現著觀念的結合與辯證、多向度的關係性，並以彩度差異上表現不可能卻創造性的嶄新空間；最後，其中一條白線，似路徑、似邊界、似繩結地勾出了一種向量與關係的介面，成為一處具有能動性的地帶。空間底面的灰色，可以是因漂浮而產生的陰影，也可以是某種虛擬的底層結構，這個不可見的空間，即是重新啟動感知的場域。
主視覺的組構，緊密地呼應《負育群帶聚落》的計畫概念，由色彩角度築構凝聚了那些關於建築之內之外、此起彼落生態環境的消長，和文化記憶的片刻。
The concept of <Collective Negative Space Village> Logo
Space is a combination verb. Space is a series of vibrate combination experiments and it has its own historical context and language. Taipei city as we could see today is an active subjectivity that reflects ecology, land and everything happening in its surrounding.
This “negative cube” logo interprets the form of space / city. Different color saturations represent the linkage between positive and negative spaces, in which geometry blocks express dimensions, architecture, collecting and methods. A equivocal white line, which draws a range, reveals an extent with boundaries to be transcend. Finally, the gray color on the bottom, which could be seen as the shadow of the floating cube, or nevertheless, is the lower layer of the cube that gives a “space” for us to interpret one’s understanding of gap and room.
The composition of this logo tightly responses to the concept of <Collective Negative Space Village>. These colors and positions extract fragments of issues of beyond / inside architecture, growing and declining ecology and cultural memories related to the city.
